Rediscovery

March 8th, 2010

When it comes to music, there are both advantages and disadvantages to living in a digital age. On the plus side, we have iTunes with its huge libraries of music, instantly available, and with the growth of hard drives and flash memory, we can have ever larger libraries in ever smaller spaces. On the downside, we have the death of cover art and true liner notes, something that I’ve bemoaned before. And somewhere in the middle, we have the demise of the album. (For some artists, that’s bad. For those inclined to pad their albums with filler, it’s a good thing.)

However, I’ve found that as the size of my music library increases, I start to ‘lose’ things in there. Not in the sense of physically losing anything–the files are there, and a quick search on the computer will bring them up. But I lose things in the sense that I forget about them. I often find myself stuck in a rut, reusing the same playlists until I get tired of them, and then moving on to a new set, usually drawn from deeper, darker corners of my favorite bands’ catalogs.

With Bon Jovi out on tour again, I built new playlists, pulling out the songs that have been getting played at concerts. Of course, some of the songs, like ‘Living In Sin’, I had been listening to more recently. But it was the first time in a long time that I had listened, really listened, to songs like Prayer and Wanted.

Oh, it wasn’t like I’d stopped playing them completely. But I didn’t play them anywhere near as often, and I had a bad habit of skipping them when they came up during a random shuffle. They were old hat, they were what everyone knew about the band, and I was above that. I was a fan, I knew what the good stuff was.

Except I’d forgotten why everyone knew Prayer and Wanted. They are the good stuff, and about a week ago, I rediscovered that. Maybe it was the time away from those songs that allowed me to listen again with fresh ears, maybe it was being excited about the tour, I don’t know.

Either way, it enabled me to feel again that same strange feeling that I had the first time I brought home the CD of Cross Road and listened to it. ‘Wanted Dead or Alive’ was one of the first songs that I truly felt spoke to me–something that I rediscovered this week, and something that reminded me of why I became a fan.

Still playing Brutal Legend

March 5th, 2010

I already posted when I finished the main story arc in Brutal Legend. Usually with adventure games like this one, that’s where I stop. Yes, there are usually still side missions left in many of the games that I’ve stopped playing, but for the most part it’s the main quest that I’m playing for.

Plus, I’ve been meaning to start Bioshock. I know, I’m way behind the times, but it was the release of Bioshock 2 that reminded me that I had wanted to play the original. And I still do want to play through that game, because everyone I know who has played it has nothing but positive things to say about it.

So why am I still playing Brutal Legend? Well, there are still a lot of side missions left; I’ve been mopping those up and collecting the rest of the solos, legends and landmarks. Like most Xbox 360 owners, I have to admit to having an addiction to that little ‘plink’ noise that the achievements make when they come up, and there are still plenty of achievements in Brutal Legend that I haven’t collected, and a fair number of them aren’t that hard to get. Just a lot of trundling around the map and finding stuff.

Ultimately, the answer boils down to one thing: escapism. Brutal Legend doesn’t pretend to be anything profound. It’s just fun. And a lot of the remaining items that I’m hunting for are stuff like the Legends and the Landmarks. If you’ve been reading the blog, you know I have a fascination with album cover art, especially from heavy metal albums. This game just lets me wander around through a heavy metal world. It’s fun.

I suspect that’s why I’ve been putting off playing through Bioshock. Because while that game promises a bit more substance than Brutal Legend, it’s also going to be a lot heavier. And that’s something that I’m a whole lot less likely to want to face when I come home from work in the evening.

Random Song: Livin’ On A Prayer (demo)

March 3rd, 2010

Artist: Bon Jovi
Album: 100,000,000 Bon Jovi Fans Can’t Be Wrong

I have always found this particular track from the box set fascinating. I know the released version of Prayer so well–like every other Bon Jovi fan, I know that song inside out, upside-down and backwards. (I’ve been known to recognize it in a bar where the ambient conversation noise was so loud the people I was with didn’t even realize there was music playing until I mentioned it.) If you’re a fan, that song has been ground into your mind for eternity.

And yet the demo version from the box set revealed a dimension to the song that I hadn’t heard before. Not sure why–neither the lyrics nor the melody stray far from the final version of the song. However, the demo of Prayer from the box set is stripped of a lot of the parts and pieces that I associate with the sound of the finished song. Both Richie’s talkbox and solo are completely missing here. All that’s left is the core of the song, the beat and the vocals.

What’s left behind is a raw vocal performance that puts the emphasis on the lyrics of the song and the harmonies in the chorus. In many ways, I find that this version lets the lyrics of the song stand out more than the version that they finally recorded. I also think that the raw feel of the demo suits the lyrics.

I realize that the band has released at least two other re-imaginings of this song with ‘Prayer ‘94′ and the version from This Left Feels Right. However, I don’t think that either of those is as effective as the original demo. The one from TLFR has just as much extra stuff in the track as the original, and all the extra fluff doesn’t do anything to enhance the song. (Olivia d’Abo’s vocals on the TLFR version are annoying to boot.) ‘Prayer ‘94′ is better–it does effectively put the focus of the song squarely onto the story of Tommy and Gina. But it takes the song and makes it into a ballad, and it’s still a polished, final track.

Ultimately, it’s the raw feeling of this version of Prayer that gets me. It’s sort of like a brief window into the songwriting that was about to make the band completely famous. The demo is nothing but raw emotional power, in your face and challenging the world to deny the hope in the song.

Why do you go to concerts?

March 1st, 2010

This was a question raised to me during a discussion with some friends, and I found it interesting. While I’ve attended my share of concerts in my life, I’d never really been asked to quantify “why” before. The discussion might have moved on, but my thoughts didn’t, and I eventually came up with the following reasons.

  1. Because I enjoy the experience.
    Live music has an energy to it that recordings just don’t have. Live performances allow the artist to communicate directly to you. (Well, you and 15,000 other people.) Even so, it’s an entirely different thing from a recording. Live music is exactly that–the performance is a living, dynamic thing that exists only in the moment.
  2. Because I enjoy sharing.
    Some of my favorite bands, Bon Jovi included, have depths that are only revealed during live performances. I like taking friends to see artists that they otherwise might not have considered and seeing them understand.
  3. Escapism.
    I can go to a concert and forget about everything that bugs me about life for awhile. It’s an escape, a diversion, and a treat to look forward to in everyday life.
  4. Because the performer is hot.
    I’m perfectly willing to confess that I fantasize over Jon Bon Jovi and this plays a role in why I like to see the band live.
  5. Because I can.
    This was actually the most common reason. If the tickets are cheap, the venue nearby, the artist at least moderately interesting, and I have nothing else to do, I go see stuff. Sometimes it’s a good idea, sometimes not so much.

What about you?

Robotics, and the Nerdier Aspects of Fandom

February 26th, 2010

In the midst of all the legitimately well-earned buzz over all the great set lists, I stumbled across a press release about the details of the robotic screens that will be in use on the tour.

First off, all of the nerdier aspects of my personality came to the forefront when I read about this. Honestly, I’d like the opportunity to investigate the software that makes all of these things work. Plus, those are some impressive robots. I think I’ve only ever seen robots that big in pictures of car factories. It’ll be interesting to see what they can do with the screens.

For me though, the shows are all about the music. The set lists that have been coming out lately are impressive to say the least, and certainly full of stuff that I would like to see live. I got my fill of hearing the old standards during the Lost Highway tour. That’s why I’m way more excited about getting to see Richie Sambora singing Homebound Train than I am about seeing giant robots. (Although, I must say, the giant robots are cool.)

Ultimately, I’ll have to see a show with these screens. For all I really know, they might actually improve the experience for those of us stuck up in the nosebleed seats.

Another duet, this time with Ray Davies

February 24th, 2010

Jon seems to be a busy boy lately. Today I stumbled across an interview with Ray Davies of The Kinks, where he mentions that he is in the process of recording an album of duets.

This sounds interesting. Usually, I rate this kind of album as a low priority, mostly because in a lot of cases, I haven’t gotten around to getting the original albums and I really think that I should familiarize myself with the originals first. However, I already have a lot of stuff from The Kinks, and I definitely have stuff from most of the artists he’s working with. Plus, The Kinks, and most of the songs that they have recored are just plain awesome. They are one of the few bands to produce songs that can still feel completely fresh and new, even decades later. Every Kinks song that I’ve ever heard could have been written yesterday.

Plus, the list of artists working on this so far includes nothing but artists I like. Both Jon Bon Jovi and Bruce Springsteen have what it takes to do a good job on a duet of a Kinks song. The Killers do as well–they’re one of the few relatively new bands that I enjoy. And I’m really interested to see what Metallica can bring to this project.

I’ll have to give the samples on Amazon a listen when this comes out. It sounds like one I’d be tempted to buy, which is rare.

Richie sings Homebound Train!

February 22nd, 2010

I caught a video of Richie singing ‘Homebound Train’ in Seattle. If you’ve been reading some of my older posts, you know that for me, Richie forever owns ‘These Days’ after I heard him perform it at the Prudential Center back in 2007. (And above all else, it wasn’t ‘I’ll Be There For You’, which has to be one of the most tired songs in the Bon Jovi catalog.)

After seeing that video, I have to say that if I get to see Richie do ‘Homebound Train’ live when I get to see them, I think this song will be Richie’s too.

Richie was in fine voice when he did that song, and it was great. Like so many of the songs that Richie does on his own, he put that uniquely Richie blues spin on it. And Homebound Train is a song that works extremely well with that bluesy flair. Certainly better than ‘I’ll Be There For You’. I know that song is a Bon Jovi classic, but it doesn’t play to any of Richie’s strengths the way a song like ‘Homebound Train’ does.

It seems like Bon Jovi as a whole is putting a lot more effort into their set lists on this tour. Yes, they’re still covering the important bits, but by bringing out so much more of their back catalog and rotating it, it’s making us fans much happier and more excited. Now there’s a chance that I might get to hear some of my favorites–no matter how obscure.

Honolulu Set Lists

February 19th, 2010

Yes, it’s taken me a while to get around to catching up with the start of the tour for The Circle-I’ve been playing more games on the Xbox again, and I think updating the router has finally fixed the odd glitch that caused me to occasionally not be able to connect to YouTube, the BBC and about fifty other sites of varying degrees of importance to my day-to-day life. (Kenobi already collected the good fan videos from Honolulu over at Blame it on the Love, so if you want to see them, just head over there.)

I did get to check out a bunch of fan videos, now that I’m having less problems with YouTube. Personally, I found the videos of the older songs to be the best ones–Jon seemed to be in fine voice. On some of them, it could have been 1986–the band was that spot on. I thought that it was so great that they were picking songs from the full depth and breadth of their catalog for once. 7800° Fahrenheit might not have been the critics’ darling, but I like it, and so do a lot of other people.

Speaking as a relatively new fan of the band, it’s great that I’ll be getting to hear older songs like Only Lonely and Shot Through the Heart live on this tour, since I never had a chance before. In some ways, a lot of these songs are as fresh as the songs from The Circle–think about it, I can’t possibly be the only fan to have come on board in the last ten years who is familiar with the band’s full catalog but has never gotten to hear it performed live. Yes, the old songs are a treat for the old-timers, but they’re even better for those of us who have never gotten to hear them live at all.

I have to say, after this I am totally looking forward to the shows that I have tickets for on this tour, and now I’m thinking about going to more shows.

The Music Video Exposed: Wayne Isham

February 17th, 2010

I caught an episode of The Music Video Exposed on VH1 Classic this weekend. That’s not one of the shows that I ordinarily go out of my way to watch. You can tell that I was still very young during the golden age of MTV–most music videos hold very little appeal to me, and they’re usually completely secondary to the song itself, as far as I’m concerned.

I caught the tail end of the episode dedicated to Wayne Isham. The name honestly meant nothing to me. I had conked out and was too tired to keep up with the game I had been playing on the Xbox, so I powered down and settled for watching VH1 Classic until the show I was waiting for came on.

As it turned out, I got lucky. Wayne Isham directed the video for Livin’ on a Prayer, and the Prayer video was one of the ones featured in his episode. There’s no profound insights here, but some interesting storytelling from Wayne Isham himself. I had always figured that the silhouette of the guy running through the curtain of sparks was deliberate–but that’s the director, abruptly realizing that he was parked in the middle of the shot. That may have been a complete accident, but I always thought that it worked.

As for the rest of it, there’s nothing really profound there, other than a few brief interview clips with Richie. He mostly talks about how Isham helped the band break big. Not sure when it was recorded. Judging by how Richie looked in the clips, it was probably fairly recent.

The other neat video included in the show was the video for Skid Row’s 18 and Life, another one of my favorite songs. Once again, nothing terribly profound, but at least on that one they got Sebastian Bach to show up. Bach’s comments were more interesting–he was remarking on how, even after all this time, he can watch the video for 18 and Life without getting embarrassed. He has a point–Isham did do a fantastic job on that video, and it really does stand the test of time better than many of the other videos from the same time period that tried to tell a story.

It was kind of neat, just tuning in randomly and getting the scoop (such as it was) on the videos to two of my favorite songs.

So I finished Brutal Legend…

February 15th, 2010

I finally finished Brutal Legend this past weekend. It’s taken me awhile to finish the game, even though I didn’t find the main story mode to be particularly difficult or long. (Having the Xbox decide to develop the Red Ring of Death does tend to put a crimp in my gaming schedule.) Honestly, I could have done with a longer story mode. I didn’t find anything to be all that great about the multiplayer mode, especially since none of my friends have Brutal Legend. If a few of my friends were interested in playing some stage battles, I might get more mileage out of it. But as it stands, the multiplayer mode holds no real interest. (Most of my friends would rather play Halo Wars.)

The rest of my follow-up is after the jump. Consider yourself warned: there are spoilers after this point, so if you’re haven’t beat the game yourself and don’t want the end spoiled STOP NOW.
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