Archive for April, 2009

Bible Black Video Released

Wednesday, April 29th, 2009

Heaven and Hell (Black Sabbath, with Dio instead of Ozzy) released the music video for Bible Black, the first single from their new album. Now I’ve been a fan of Dio for quite some time, probably even more of a fan of Dio than Black Sabbath, so I had to go out and find the video online when I heard. It took some doing to find a good quality video, but I tracked down a quality Yahoo video embed of Bible Black on Rockdirt.com.

When I saw that the video was animated, my first thought was “what is this? This is not metal!”

But I gave it a chance, and as it turned out, the video does get more metal as it goes on. Also, the song itself rules. The lyrics are classic Sabbath/Dio, and it rules. Also, unlike a lot of music videos, at least they bother to make the video look like it belongs with the song.

I’ll be interested to hear the rest of the album when it comes out. This is starting to sound more and more like a must-have for my music collection.

Pretentious Much?

Monday, April 27th, 2009

The buzz is building for the premiere of Bon Jovi: When We Were Beautiful at the Tribeca Film Festival. Right now, if you search for Bon Jovi on Google News, two out of every three articles that come up are about the documentary.

Don’t get me wrong, I’m as interested in seeing the movie as any other fan. Honestly, from what I’ve seen so far, it looks like there is plenty of eye candy to be found in the film. That alone will make it worth watching.

But that title? Really now. It sounds like the title of a nineteenth-century Gothic novel, not a rock music documentary. It sounds like Jon let his ego get a tad out of control on this. Never mind releasing it at a festival for art films. A documentary on Bon Jovi is hardly going to be the kind of excruciating high art film that usually gets shown at these kind of events.

At least I hope that it doesn’t end up being that kind of movie. Art films are so horribly pretentious. Bon Jovi is (or was) a blue-collar, working class band. That’s why the music appeals to most of us. It would suck if Jon started pretending to be a “fine artist”. I don’t want to listen to that kind of junk. That’s why I listen to metal in general and hair metal in particular.

So–two rock and roll documentaries being released this spring–Bon Jovi’s and Anvil’s. It’ll be interesting to see which gets better reviews, and in the long run, which DVD spends more time in my DVD player.

Long Hair Makes Rock Better

Saturday, April 25th, 2009

I found this post about the relationship between Metallica’s songwriting ability and the length of their hair over at The Gauntlet. It is a most interesting correlation.

Then it made me think–personally, I see much the same pattern with Bon Jovi and a lot of the other hair bands as well. Ultimately, the worst album Jon ever made is Destination Anywhere, which he did while completely scalped.

Then again, on the other hand, we have Crush, which was also made while Jon had short hair. Of course, I think the secret isn’t so much length as it is the total rock-ness of the haircut. Jon’s hair during the Crush era was good, and the hair during Destination Anywhere was just awful.

What do you think? Do you see the same pattern going on here? Or am I nuts?

Due to excessive spam, comments on this post have been closed.

Brutal Legend

Wednesday, April 22nd, 2009

I found this MTV news article about the upcoming Xbox360/PS3 game called Brutal Legend.

Personally, I’m stoked. One, I love a good open-ended action/adventure game with a few RPG elements–the Legend of Zelda and Elder Scrolls games are some of my favorites. Two, the storyline is completely metal, which rules. Up till I saw this, Guitar Hero and Rock Band were the only places that I was really going to find any degree of truly metal content on my game console.

Also, it has Jack Black doing the voice of the main character, which should add a nice punch of humor. So often, a lot of video games aren’t really good at that element. (The Elder Scrolls are especially bad about having odd or misfired humor in them.) That’s one of the wonderful things about real metal; there’s always a sense of humor somewhere at the bottom of it all.

And if the game actually looks like the screenshots up there on that site, it is going to kick ass on a big screen TV. I want to play this.

Probably the worst part about this whole thing? The attempt of the music industry to neuter this into country-fried trash or the same old thug game that’s been made a billion times already.

Okay, yes, it does involve fighting hair metal rockers. Who’s going to be the first to call me a traitor?

A Hulu For Audio? Maybe Someday.

Monday, April 20th, 2009

If you check out the Bloomberg Report site, there’s an article on the new Universal channel on YouTube. It’s a nice idea in theory, but YouTube is still a bit of a cesspool.

Realistically, the major record companies should seriously think about working together to build a music portal site, like the television companies did when they created Hulu. Hulu is clean and tidy, well designed, and if I go there I know I’m going to get professionally produced, high quality content every time.

The major record labels still have enough power to build a very strong portal site–a musical Hulu. With the number of high profile artists still in the stables of the major studios, a collaboratively built portal site could easily dominate the music scene for the next several decades.

Think about it–if I knew of a site that I could go to and be guaranteed to get to see a high-quality version of Bon Jovi’s latest video on the day of its release, I’d never bother with YouTube for music videos again. Especially if, like Hulu, they made the videos available for embedding. No more worries about bootleg videos disappearing, and ready, sanctioned access to rare videos? YouTube wouldn’t be worth my time anymore.

If the site also offered the ability to purchase downloads of audio and the videos at reasonable prices, it might be the Holy Grail that the record labels are looking for–the iTunes Killer. As soon as their content portal is established as the new center of the music industry, they can kill their licensing deals with Apple and end that drain on their profit margin. Digital storage is cheap, and overhead on downloads is almost nonexistent. Move tons of content, sell advertising by the pile, DOMINATE.

The record labels can do it, if they want to.

The Anvil Movie needs a wide release

Thursday, April 16th, 2009

For a movie with an almost unprecedented 98% Fresh rating on Rotten Tomatoes, it sure is hard to find a theater playing it.

I first heard about Anvil: The Story of Anvil on Eddie Trunk Live on XM Radio. (I didn’t hear about it on That Metal Show because nobody in this house is willing to shell out for that extra package that includes 500 obscure channels that you only spend 45 minutes a month watching. VH1 Classic is never in the basic tier.) So far the trailers look excellent. The critical reviews are high, with that extra little touch of condescension that indicates that not only is it a Good Movie and High Art, but ordinary people actually stand a chance of understanding and liking it.

Unfortunately, the movie is in extremely limited art-house release. It’s playing at theaters in Philadelphia and New York City, but no place really closer than two hours away by car. That’s a bit of a drive for a movie, even with gas prices having gone down. Never mind that one location involves driving through the Meadowlands and the other involves a drive down the Schulkill Expressway, neither of which ever appeals to me.

Call your local theaters and bug them about the movie. You want to see it. I plan on bugging every theater I can call, because I want to see this movie without risking my life on the highway. You should do the same, especially if you’re an unreasonable distance from a theater showing it.

The Bering Sea Cowboys are Back

Tuesday, April 14th, 2009

Season 5 of Deadliest Catch begins tonight at 9 PM. You can check out the official Discovery Channel Blog, or head on over to check things out at the site for the FV Northwestern.

I bought my first Bon Jovi album ever to get the theme song from Deadliest Catch–Wanted Dead or Alive. I wouldn’t be creating this blog now if it weren’t for the Discovery Channel. I marched into Best Buy and bought Cross Road purely because of this TV show. Of course, I pretty quickly discovered that not only was everything on that CD great, but a lot of my favorite songs were already on there.

It’s kind of odd that Bon Jovi has provided the soundtrack for a lot of my life–and a lot of my favorite songs, without me ever really knowing who they were. At least until Deadliest Catch came along.

(I’m pretty sure I spotted the Northwestern in one of the video clips on the big screen during “I Love This Town” on the tour last year. Also, the Northwestern totally rules.)

So, file this under ‘licensing’, and tune in to the Discovery Channel at 9 PM tonight to check out the show, if you haven’t seen it before. It’s a whole different kind of reality TV.

Victory!

Monday, April 13th, 2009

So, Blueshadow’s Bon Jovi Blog is finally up and running. It’s only been a mildly painful process. Just a few wrong turns, if you’ve read XKCD, you know how it goes.

Just kidding.

We should be discussing all the Bon Jovi and other Hair Metal we can stand in relatively short order.

Rock Band’s Bad Tracks

Saturday, April 11th, 2009

Most gamers are familiar with the sensation that an inanimate object somewhere in the immediate area has an insatiable need for their blood. Heck, that was the basis of almost every NES game ever created. Statues were always a particular favorite of game developers. (If you had a Legend of Zelda game, the name ‘Ironknuckle’ should ring a bell, and maybe trigger some indigestion too.)

These days, it feels like the game itself wants to torture me.

Greg Dean actually summed this up neatly some time ago in his webcomic, Real Life. You see, Rock Band 2 always seems to select one of the same three songs (all of which I dislike) whenever I select a Random Setlist of some kind in Career Mode.

Unlike Mr. Dean, I don’t have any particular beef with Weezer. My musical enemies are ‘Let There Be Rock’, ‘Supreme Girl’ and ‘Shackler’s Revenge’. (I don’t like ‘Wave of Mutilation’ from the first Rock Band either, but that’s just because my singing is poor and I failed it about thirty times while just trying desperately to get through the Vocal Tour on medium in single-player mode.)

I do actually like both AC/DC and and Guns N’ Roses. Rock Band 2 just effectively poisoned ‘Let There Be Rock’ with too many repetitions. I know that there aren’t that many ‘challenging’ songs for the guitar in the game, but it doesn’t need to put ‘Let There Be Rock’ in every single Challenging Setlist that I pick in Career Mode. And it’s always there. That’s fixable, but I still haven’t gotten around to buying a hard drive for the 360 so I can download more tracks.

‘Shackler’s Revenge’ is different; the problem is that the song is just not that great. It doesn’t really sound like old school GNR–and it doesn’t have its own voice either. It’s just blah. I guess that I should thank the developers of Rock Band for putting it in the game. Having to play through it an unforgivable number of times in my Career effectively made it clear to me that I was not going to purchase Chinese Democracy, no matter how long we’d had to wait for Axl Rose to produce something. It was ultimately proof of what I should have known. What made Guns N’ Roses great to start with was Slash, NOT Axl Rose. And now they’re releasing all of Chinese Democracy for Rock Band. Note to self: after getting the Xbox hard drive, do not buy this either.

And ‘Supreme Girl’? I haven’t got an excuse for this one; I just hated the song the first time it popped up, but I needed the stars and the fans, so I played it. And I kept on playing it every time it came up, for the fans and the stars. Thankfully it doesn’t come up all that often.

Somehow, the Rock Band games don’t give me the Bon Jovi tracks all that often. (Of course, if I had my way, there would be a Bon Jovi edition of Rock Band being released instead of a Beatles one.) Ultimately, though, this is actually a consequence of the best feature of Rock Band 2.

The original Rock Band had a different mode for single player careers that let me jump over songs I didn’t like, which meant that I only ever had to make it through them once. Rock Band 2 lets single players as well as multiplayer bands play through the full career mode, which is really cool, actually. In the first game, if I wanted to play a Band Career, I had to convince someone else to play with me. Unfortunately, while I live with a bunch of other people, none of them ever really want to pick up a controller and join in. One was traumatized by their first video game experience (the Cheep Cheeps of Super Mario Brothers, circa 1989 were her undoing). The rest couldn’t care less. But in Rock Band 2, I can have a full Career experience anytime I feel like it.

Even better, Rock Band 2 lets me customize my entire band when I’m playing by myself in Career Mode. That means that I can make my band look exactly like Bon Jovi, without making my friends gripe about having to play as a character who looks like Richie Sambora. You’d think that it was a fate worse than death.

But I can play ‘Livin’ on a Prayer’ with my Richie Sambora character, with a band that looks exactly like Bon Jovi in Rock Band 2, which totally rules. (Well, maybe not completely like Bon Jovi. Keyboards aren’t an option, so Dave now plays bass, at least in my band. Sorry Hugh.) And besides, the Guitar Hero series is still too pretentious to include any Bon Jovi in their lineup for any reason other than Rock Band induced peer pressure.

So ultimately, Rock Band may hate me, but I still love it to pieces. I’d say that it was my favorite video game of all time, but the number of hours I spent playing Ocarina of Time in high school is pretty hard to beat. But it’s definitely second.