Archive for March, 2010

Rediscovery

Monday, March 8th, 2010

When it comes to music, there are both advantages and disadvantages to living in a digital age. On the plus side, we have iTunes with its huge libraries of music, instantly available, and with the growth of hard drives and flash memory, we can have ever larger libraries in ever smaller spaces. On the downside, we have the death of cover art and true liner notes, something that I’ve bemoaned before. And somewhere in the middle, we have the demise of the album. (For some artists, that’s bad. For those inclined to pad their albums with filler, it’s a good thing.)

However, I’ve found that as the size of my music library increases, I start to ‘lose’ things in there. Not in the sense of physically losing anything–the files are there, and a quick search on the computer will bring them up. But I lose things in the sense that I forget about them. I often find myself stuck in a rut, reusing the same playlists until I get tired of them, and then moving on to a new set, usually drawn from deeper, darker corners of my favorite bands’ catalogs.

With Bon Jovi out on tour again, I built new playlists, pulling out the songs that have been getting played at concerts. Of course, some of the songs, like ‘Living In Sin’, I had been listening to more recently. But it was the first time in a long time that I had listened, really listened, to songs like Prayer and Wanted.

Oh, it wasn’t like I’d stopped playing them completely. But I didn’t play them anywhere near as often, and I had a bad habit of skipping them when they came up during a random shuffle. They were old hat, they were what everyone knew about the band, and I was above that. I was a fan, I knew what the good stuff was.

Except I’d forgotten why everyone knew Prayer and Wanted. They are the good stuff, and about a week ago, I rediscovered that. Maybe it was the time away from those songs that allowed me to listen again with fresh ears, maybe it was being excited about the tour, I don’t know.

Either way, it enabled me to feel again that same strange feeling that I had the first time I brought home the CD of Cross Road and listened to it. ‘Wanted Dead or Alive’ was one of the first songs that I truly felt spoke to me–something that I rediscovered this week, and something that reminded me of why I became a fan.

Still playing Brutal Legend

Friday, March 5th, 2010

I already posted when I finished the main story arc in Brutal Legend. Usually with adventure games like this one, that’s where I stop. Yes, there are usually still side missions left in many of the games that I’ve stopped playing, but for the most part it’s the main quest that I’m playing for.

Plus, I’ve been meaning to start Bioshock. I know, I’m way behind the times, but it was the release of Bioshock 2 that reminded me that I had wanted to play the original. And I still do want to play through that game, because everyone I know who has played it has nothing but positive things to say about it.

So why am I still playing Brutal Legend? Well, there are still a lot of side missions left; I’ve been mopping those up and collecting the rest of the solos, legends and landmarks. Like most Xbox 360 owners, I have to admit to having an addiction to that little ‘plink’ noise that the achievements make when they come up, and there are still plenty of achievements in Brutal Legend that I haven’t collected, and a fair number of them aren’t that hard to get. Just a lot of trundling around the map and finding stuff.

Ultimately, the answer boils down to one thing: escapism. Brutal Legend doesn’t pretend to be anything profound. It’s just fun. And a lot of the remaining items that I’m hunting for are stuff like the Legends and the Landmarks. If you’ve been reading the blog, you know I have a fascination with album cover art, especially from heavy metal albums. This game just lets me wander around through a heavy metal world. It’s fun.

I suspect that’s why I’ve been putting off playing through Bioshock. Because while that game promises a bit more substance than Brutal Legend, it’s also going to be a lot heavier. And that’s something that I’m a whole lot less likely to want to face when I come home from work in the evening.

Random Song: Livin’ On A Prayer (demo)

Wednesday, March 3rd, 2010

Artist: Bon Jovi
Album: 100,000,000 Bon Jovi Fans Can’t Be Wrong

I have always found this particular track from the box set fascinating. I know the released version of Prayer so well–like every other Bon Jovi fan, I know that song inside out, upside-down and backwards. (I’ve been known to recognize it in a bar where the ambient conversation noise was so loud the people I was with didn’t even realize there was music playing until I mentioned it.) If you’re a fan, that song has been ground into your mind for eternity.

And yet the demo version from the box set revealed a dimension to the song that I hadn’t heard before. Not sure why–neither the lyrics nor the melody stray far from the final version of the song. However, the demo of Prayer from the box set is stripped of a lot of the parts and pieces that I associate with the sound of the finished song. Both Richie’s talkbox and solo are completely missing here. All that’s left is the core of the song, the beat and the vocals.

What’s left behind is a raw vocal performance that puts the emphasis on the lyrics of the song and the harmonies in the chorus. In many ways, I find that this version lets the lyrics of the song stand out more than the version that they finally recorded. I also think that the raw feel of the demo suits the lyrics.

I realize that the band has released at least two other re-imaginings of this song with ‘Prayer ’94′ and the version from This Left Feels Right. However, I don’t think that either of those is as effective as the original demo. The one from TLFR has just as much extra stuff in the track as the original, and all the extra fluff doesn’t do anything to enhance the song. (Olivia d’Abo’s vocals on the TLFR version are annoying to boot.) ‘Prayer ’94′ is better–it does effectively put the focus of the song squarely onto the story of Tommy and Gina. But it takes the song and makes it into a ballad, and it’s still a polished, final track.

Ultimately, it’s the raw feeling of this version of Prayer that gets me. It’s sort of like a brief window into the songwriting that was about to make the band completely famous. The demo is nothing but raw emotional power, in your face and challenging the world to deny the hope in the song.

Why do you go to concerts?

Monday, March 1st, 2010

This was a question raised to me during a discussion with some friends, and I found it interesting. While I’ve attended my share of concerts in my life, I’d never really been asked to quantify “why” before. The discussion might have moved on, but my thoughts didn’t, and I eventually came up with the following reasons.

  1. Because I enjoy the experience.
    Live music has an energy to it that recordings just don’t have. Live performances allow the artist to communicate directly to you. (Well, you and 15,000 other people.) Even so, it’s an entirely different thing from a recording. Live music is exactly that–the performance is a living, dynamic thing that exists only in the moment.
  2. Because I enjoy sharing.
    Some of my favorite bands, Bon Jovi included, have depths that are only revealed during live performances. I like taking friends to see artists that they otherwise might not have considered and seeing them understand.
  3. Escapism.
    I can go to a concert and forget about everything that bugs me about life for awhile. It’s an escape, a diversion, and a treat to look forward to in everyday life.
  4. Because the performer is hot.
    I’m perfectly willing to confess that I fantasize over Jon Bon Jovi and this plays a role in why I like to see the band live.
  5. Because I can.
    This was actually the most common reason. If the tickets are cheap, the venue nearby, the artist at least moderately interesting, and I have nothing else to do, I go see stuff. Sometimes it’s a good idea, sometimes not so much.

What about you?