Posts Tagged ‘Desmond Child’

Desmond Child interview

Monday, September 13th, 2010

I found an interview with Desmond Child at BlackBook.com. It’s got a little bit of information on how he came to write for Bon Jovi in it, and it’s kind of neat to read an interview with him for once.

There isn’t a ton of Jovi-specific information in it. But I personally didn’t know that they were put in contact with Child by Kiss, so I thought that was interesting. (I rather suspect that everyone else already knew that, and I’m just late to the party, as usual.)

Most of the time, when it comes to the songwriting on the albums, we just get Jon’s perspective on things. So I rather like getting to read about Desmond Child’s point of view on things.

Go give it a read. It’s worth it.

Review: Elvis in Vegas

Friday, July 16th, 2010

I promised that I’d be back with a separate review of ‘Elvis in Vegas’ today. After all, it’s not every day that Meat Loaf records a song co-written by Jon Bon Jovi. That warrants a post in its own right.

I don’t know that I would have made this connection if I hadn’t known that Jon was one of the songwriters for ‘Elvis in Vegas’, but the song really reminds me of ‘Right Side of Wrong’ from Bounce. It has the same sweeping narrative feel as ‘Right Side of Wrong’, and it also has the same sort of living, breathing imagery throughout the lyrics. That’s probably Jon’s touch; he’s always been good at that kind of song that tells a story, but this one is an outstanding example.

I suppose that I shouldn’t be surprised that ‘Elvis in Vegas’ turned out to be one of my favorite songs off of Hang Cool Teddy Bear–after all, it does have Jon, Desmond Child and Billy Falcon behind it, and those three have been responsible for many of my favorite songs.

But above and beyond that, I like the song because it plays to a lot of Meat Loaf’s strengths. This is one of the few songs on this album that really taps into the expressive range that Meat Loaf can bring to his performances. He can make you believe whatever he’s singing about–and with that power behind the lyrics, this song shines. The chorus on this song is nothing less than a thing of beauty.

This song is definitely a keeper. As a matter of fact, it’s probably going to shape up to be one of my all-time favorites.

Random Song: Hell Is Living Without You

Monday, July 13th, 2009

Artist: Alice Cooper
Album: Trash

I actually purchased this album at the same time as Richie Sambora’s Stranger In This Town. (There’s a Random Song pick for Rosie too.) This was the one that I listened to on the drive home that day. I initially bought this album for no better reason than that I had discovered the video for Poison on the internet and loved the song. Since I was already ordering Stranger, I just tacked Trash onto the order as well.

I can understand why the purists among Alice’s fans don’t like this album. It sounds like hair metal. (Well, actually, it sounds like it was produced and heavily co-written by Desmond Child, which it was.) However, it was a perfect fit for pop radio in its day. And it also explains why I was instantly attracted to the songs from this album.

That first day, driving home in the car, something about Hell Is Living Without You stood out in particular. It sounded an awful lot like a Bon Jovi song. I initially just wrote it off to recognizing Child’s writing style as a common influence. It wasn’t until I got it home and actually checked all the songwriter credits that I discovered that Jon and Richie actually were co-writers on the song as well.

If you listen closely to the song, you can hear a lot of the same lyrical qualities that Jon and Richie bring to their power ballads. They have a singular ability to create emotionally powerful lyrics while at the same time delivering solid rock in a tidy, radio-friendly form. Alice Cooper’s influence on the songwriting is also a powerful presence, bringing a darker, more menacing tone than is present in Bon Jovi’s work. (Only Alice could take what is fundamentally an intense, beautiful love song and make it feel menacing. It’s his gift.)

The unfortunate thing about this is that this is a really under-appreciated song. (It doesn’t get played anywhere, not even on the Boneyard on XM.) The album was disowned by Alice’s hardcore fans because it represented too drastic a shift in sound. If this song had been released by Bon Jovi, this song has all of the makings of a hit (at least in my opinion). It would certainly fit in right alongside all the rest of Bon Jovi’s power ballads.

This is still one of my favorite songs of all time. I still stop whatever I’m doing when I hear it come up on the stereo and sing along, with hand gestures. I have a weakness for all the bombast of big power ballads, and Hell Is Living Without You delivers on all counts. Plus, the extra bit of a dark edge that Alice brings to it makes it deliciously different from every other power ballad that I’ve ever heard.

I’d love to hear Richie perform this song, but seeing as how they reverted right back to doing I’ll Be There For You instead of These Days, the chances of hearing something like this performed is nonexistent.